Mold and shape easily by hand. Must be fired between 1472ºF and 1600ºF.

• 20 grams (A-004)
• 50 grams (A-005) 

You can use three different size syringe tips to create delicate, wire-like designs. Great for decorating pieces or to fill large gaps.

Syringe Sets:

Unique, paper-thin sheet of silver clay that needs no drying time. Created for origami, you can also fold, pleat, or punch out shapes for use as appliqué. Must be kiln fired at 1472ºF for 30 min.

75mm X 75mm (1 mm thick)

Oil based rather than water based, this paste is essential for any post-firing repairs. It can be used to attach fired pieces together, or to add pure silver findings to fired pieces. Must be fired at 1472ºF for 30 min.

This clay dries five times slower giving the artist more time to form pieces. It is suitable for braiding, weaving, and intricate work on projects. Must be fired to at least 1472ºF.

Formulated specifically to be used on glazed porcelain and ceramics, but can also be used on glass. This paste is water soluble, and fires from 1200ºF to 1600ºF. May also be used to repair low-fired pieces containing heat sensitive elements such as glass or gemstones.

Low Fire Art Clay Silver can be fired as low as 1200ºF; perfect for use with glass. Shrinkage is only 8-9%, the lowest ever. Glass colors stay true, no yellowing, and little movement. Fires a wider variety of gemstones, sterling silver (SV925) findings and settings can easily be incorporated into your projects.

Low Fire Slow Dry Art Clay Silver can be fired as low as 1200ºF; perfect for use with glass. It fires a wider variety of gemstones; sterling silver (SV925) findings and settings can easily be incorporated into your projects. This new clay dries four times slower, giving the artist more time to form pieces.

The name says it all!  When fired with Art Clay Silver, the cork burns out making it an ideal substance for making beads, and other hollow structures.  

You can use this Fiber Blanket to help support your delicate Art Clay pieces when firing in a kiln.  You can also place delicate pieces (that have cooled to at least 275ºF) between two pieces of Fiber Blanket to allow them to cool slowly outside the kiln.

You can use this Fiber Board as a shelf inside your kiln, to both help protect the interior of the kiln, and to stack shelves (kiln posts required). 

You can use this Fiber Paper underneath your glass and smooth surfaced Art Clay pieces when firing in a kiln.  This paper provides a safe-guard against unwanted texture left from uneven surfaces. 

Simply by dropping a small piece of this material in a cup of hot water, you can add a wonderful patina to your Art Clay Silver creations!

This product makes a great mold, and amazingly, you can reuse it over and over again.  Directions: Dip the "Oyumaru" into hot water (more than 176ºF) for 30 minutes.  Then, take the "Oyumaru" out of the water with tongs and quickly dry it with a towel.  While it is still soft, press the piece you want to mold into the "Oyumaru".  If the "Oyumaru" hardens while you are working with it, repeat the process to soften the material.

This wonderful new material has a nylon backing, so you can cut it with regular scissors, and it makes an wonderfully deep, crisp impression with an 8 minute exposure using a halogen lamp and 4 minute water wash out.

These rubber blocks are great for supporting your Art Clay pieces and can be used in both pre-fired detailing as well as post-fired polishing.  

This two part silicon mold mix captures amazing detail and is very flexible. Take equal parts of both compounds and knead them together until there is no marbling. Shape the ready mixture to accommodate whatever is leaving the impression and insert the object. The mold sets in about five minutes and can be tested by pressing a fingernail into a spare portion. If the fingernail impression stays; the mold is not dry.

Comes complete with the SpeedFire Cone, a specially designed propane burner, pyrometer and propane bottle base. The fuel tank is not included but can be purchased at most hardware stores.